Exploring Mental Health: 14 Movies Like Girl, Interrupted

By Published On: April 27, 2024Last Updated: May 7, 20242906 words14.6 min read

Table Of Contents:

Movies Like Girl Interrupted

The year 1999 marked a pivotal moment in Hollywood, with iconic films like “The Matrix” and “Fight Club” redefining the boundaries of cinematic storytelling. Among these groundbreaking works, Movies Like Girl Interrupted emerged as a profound exploration of mental health and female identity, capturing the essence of the late ’90s cultural milieu.

Picnic at Hanging Rock

Directed by Peter Weir in 1975, “Picnic at Hanging Rock” is a mesmerizing Australian mystery film that explores the eerie disappearance of several schoolgirls during a picnic at the iconic Hanging Rock. Set in 1900, the film evokes a haunting atmosphere, enhanced by its lush cinematography and ethereal score. As the story unfolds, the disappearance of the girls leads to a profound exploration of the unknown, blending elements of psychological intrigue and existential mystery.

The film’s portrayal of female characters within a repressive society underscores themes of confinement and rebellion, echoing the thematic undercurrents of isolation seen in “Girl, Interrupted.” Despite its period setting, “Picnic at Hanging Rock” resonates with contemporary audiences through its timeless exploration of feminine experiences and the enigmatic nature of human existence.

Peter Weir’s meticulous direction and the stellar performances by the cast contribute to the film’s enduring allure. “Picnic at Hanging Rock” stands as a cinematic masterpiece, offering a captivating journey into the mysteries of the human psyche and the complexities of female identity.


Directed by Michael Lehmann and released in 1988, “Heathers” is a dark comedy that satirizes the social dynamics and cliques within a high school setting. Winona Ryder stars as Veronica Sawyer, a disenchanted teenager who becomes entangled with a manipulative clique of popular girls all named Heather. The film’s irreverent humor and biting commentary on teenage angst and peer pressure set it apart as a subversive cult classic.

“Heathers” shares thematic similarities with “Girl, Interrupted,” particularly in its exploration of identity crisis and rebellion against societal norms. Ryder’s portrayal of Veronica Sawyer echoes the complexity of her character in “Girl, Interrupted,” showcasing her ability to navigate the turbulent waters of adolescence amidst biting satire.

Moreover, “Heathers” explores darker themes of manipulation and violence, offering a provocative critique of teenage life and the pressures of conformity. The film’s sharp dialogue and memorable performances contribute to its lasting impact on pop culture, making it a compelling addition to the exploration of films like “Girl, Interrupted” that delve into the complexities of youth and societal expectations.

Heavenly Creatures

Peter Jackson’s “Heavenly Creatures,” released in 1994, is based on the true story of the Parker-Hulme murder case in New Zealand. The film explores the intense and ultimately destructive friendship between two teenage girls, Pauline Parker (played by Melanie Lynskey) and Juliet Hulme (played by Kate Winslet). Together, they create a vivid fantasy world to escape their repressive surroundings, leading to tragic consequences.

Similar to “Girl, Interrupted,” “Heavenly Creatures” delves into the intricacies of adolescent relationships and the psychological complexities of its characters. The film portrays the obsessive bond between Pauline and Juliet with a blend of fantasy and reality, highlighting themes of escapism, identity formation, and the blurred boundaries between friendship and obsession.

Peter Jackson’s direction captures the emotional intimacy and turmoil of teenage emotions, emphasizing the transformative power of imagination and its darker manifestations. “Heavenly Creatures” resonates with audiences through its exploration of youthful idealism and the consequences of unchecked fantasy, making it a compelling addition to the cinematic landscape of films like “Girl, Interrupted” that navigate the inner worlds of troubled youth.


“Foxfire,” directed by Annette Haywood-Carter and released in 1996, is based on the novel by Joyce Carol Oates. The film stars Angelina Jolie as the rebellious Legs Sadovsky, leading a group of teenage girls who form a bond of solidarity and defiance against their oppressive environment.

In “Foxfire,” Angelina Jolie’s portrayal of Legs Sadovsky echoes her role as Lisa Rowe in “Girl, Interrupted,” showcasing her ability to embody complex and rebellious characters. Legs is a fearless leader who inspires her friends to challenge societal norms and fight against injustices, reflecting themes of female empowerment and resistance.

The film explores themes of friendship, empowerment, and the struggle for autonomy in the face of societal constraints. It emphasizes the importance of solidarity among women and the transformative power of collective action. Angelina Jolie’s performance in “Foxfire” adds depth and authenticity to the narrative, making it a compelling choice for viewers interested in films similar to “Girl, Interrupted” that highlight themes of strength and resilience in the face of adversity.


In the 1998 HBO biographical film “Gia,” directed by Michael Cristofer, Angelina Jolie delivers a captivating performance as Gia Carangi, a real-life supermodel whose life spirals into addiction and despair. The film chronicles Gia’s meteoric rise to fame in the fashion industry and her subsequent struggles with substance abuse and personal demons.

Angelina Jolie’s portrayal of Gia Carangi is deeply immersive and emotionally raw, showcasing the same intensity and authenticity seen in her role as Lisa Rowe in “Girl, Interrupted.” Through Jolie’s performance, viewers witness the vulnerability and inner turmoil of a woman grappling with fame, love, and self-destruction.

“Gia” explores themes of identity, fame, and the destructive allure of excess, paralleling the exploration of personal struggles and societal pressures depicted in “Girl, Interrupted.” The film offers a poignant and unflinching portrayal of Gia’s journey, highlighting the toll that fame and addiction can take on an individual.

For viewers interested in films like “Girl, Interrupted” that delve into complex characters and profound emotional narratives, “Gia” provides a compelling and introspective cinematic experience, anchored by Angelina Jolie’s mesmerizing performance.

The Virgin Suicides

Sofia Coppola’s “The Virgin Suicides” (1999) is a haunting exploration of adolescent repression and tragedy set in suburban 1970s America. The film revolves around the lives of the five Lisbon sisters, whose strict and sheltered upbringing leads to a series of tragic events.

Unlike “Girl, Interrupted,” which focuses on mental health and female identity within a psychiatric setting, “The Virgin Suicides” delves into the stifling effects of societal expectations and parental control on adolescent girls. The film’s dreamlike atmosphere and melancholic tone evoke a sense of nostalgia while also highlighting the suffocating realities faced by the Lisbon sisters.

Through Sofia Coppola’s direction, “The Virgin Suicides” captures the complexities of adolescence with sensitivity and grace, much like “Girl, Interrupted,” which explores the challenges of young women navigating societal pressures and personal struggles. The film’s narrative richness and evocative imagery make it a compelling companion piece for those interested in introspective and visually stunning cinema.

“The Virgin Suicides” resonates with themes of innocence lost, yearning for freedom, and the haunting specter of unattainable desires, offering viewers a poignant reflection on the human condition and the complexities of coming of age. For those seeking films similar to “Girl, Interrupted” that delve into the emotional landscapes of young women, “The Virgin Suicides” stands as a captivating and thought-provoking cinematic experience.

The Dreamers

Bernardo Bertolucci’s “The Dreamers” (2003) is a visually striking exploration of youth, passion, and rebellion set against the backdrop of the 1968 student protests in Paris. The film follows an intense and unconventional relationship between three young cinephiles as they immerse themselves in a world of film, politics, and sexual awakening.

In contrast to “Girl, Interrupted,” which centers on mental health and female identity within a psychiatric institution, “The Dreamers” delves into the radicalism and idealism of youth during a politically charged era. The film captures the spirit of rebellion and liberation as the characters challenge societal norms and explore their desires amidst the turbulent events unfolding around them.

Through Bertolucci’s masterful direction, “The Dreamers” juxtaposes personal exploration with historical upheaval, much like “Girl, Interrupted” juxtaposes individual struggles with broader societal issues. The film’s evocative cinematography and provocative themes invite viewers into a world where passion and ideology collide, making it a compelling choice for those interested in provocative and intellectually stimulating cinema.

“The Dreamers” resonates with themes of youthful idealism, intellectual curiosity, and the search for personal freedom, offering viewers a captivating journey through a pivotal moment in history. For those seeking films similar to “Girl, Interrupted” that explore the complexities of youth and rebellion, “The Dreamers” offers a rich and thought-provoking cinematic experience.


“Thirteen” (2003), directed by Catherine Hardwicke, is an intense coming-of-age drama that delves into the turbulent world of adolescence and explores themes of peer pressure, identity, and self-destruction. The film follows Tracy (Evan Rachel Wood), a thirteen-year-old girl who undergoes a rapid transformation after befriending the rebellious and charismatic Evie (Nikki Reed).

In contrast to “Girl, Interrupted,” which focuses on mental health and female identity in a psychiatric setting, “Thirteen” presents a raw and unflinching portrayal of teenage angst and the pressures of growing up in a tumultuous environment. The film highlights the complexities of female relationships and the emotional struggles faced by young girls as they navigate the transition from childhood to adolescence.

“Thirteen” resonates with its authenticity and emotional depth, showcasing the profound impact of peer influence and societal expectations on young individuals. Evan Rachel Wood’s performance as Tracy captures the vulnerability and turmoil of adolescence, making the film a compelling exploration of youth and self-discovery.

For viewers interested in films like “Girl, Interrupted” that delve into the challenges of female adolescence and identity formation, “Thirteen” offers a poignant and thought-provoking narrative that sheds light on the complexities of teenage life. The film’s unfiltered portrayal of youthful turmoil and self-destructive behavior makes it a compelling addition to the cinematic exploration of female experiences and personal growth.

I’m a Cyborg, But That’s OK

“I’m a Cyborg, But That’s OK” (2006), directed by Park Chan-wook, presents a unique and whimsical exploration of mental health and romantic themes through a surreal lens. The film centers around Young-goon (Im Soo-Jung), a young woman who believes she is a cyborg and refuses to eat, fearing that she will short-circuit. She is admitted to a psychiatric hospital where she meets Il-soon (Rain), a young man with his own eccentricities.

Unlike “Girl, Interrupted,” which tackles mental health issues in a more realistic setting, “I’m a Cyborg, But That’s OK” takes a fantastical approach to the subject matter. The film blends elements of romance, dark comedy, and surrealism to depict the inner worlds of its characters, exploring themes of identity, connection, and the human condition.

Park Chan-wook’s signature visual style and storytelling prowess infuse the film with a sense of wonder and introspection. The performances by Im Soo-Jung and Rain add depth to the characters, drawing viewers into their eccentric yet poignant journey of self-discovery and acceptance.

For audiences seeking films similar to “Girl, Interrupted” but with a whimsical and imaginative twist on mental health and personal relationships, “I’m a Cyborg, But That’s OK” offers a captivating and thought-provoking cinematic experience. The film’s blend of fantasy and emotional resonance creates a unique narrative that challenges conventional storytelling norms while exploring profound themes of human connection and resilience.

It’s Kind of a Funny Story

“It’s Kind of a Funny Story” (2010), directed by Anna Boden and Ryan Fleck, is a heartfelt exploration of mental health challenges in a relatable and comedic narrative. The film follows Craig Gilner (Keir Gilchrist), a teenager struggling with depression and suicidal thoughts. After contemplating ending his life, Craig checks himself into a psychiatric hospital where he meets a diverse group of fellow patients, including the eccentric and wise Bobby (Zach Galifianakis) and the spirited Noelle (Emma Roberts).

Unlike “Girl, Interrupted,” which delves deeply into the complexities of mental illness in a dramatic setting, “It’s Kind of a Funny Story” takes a lighter approach, blending humor with introspection. The film navigates Craig’s journey of self-discovery and acceptance, highlighting the importance of seeking help and finding connection amidst struggles.

Anna Boden and Ryan Fleck infuse the film with empathy and authenticity, capturing the challenges of mental health issues with sensitivity and warmth. Keir Gilchrist delivers a compelling performance as Craig, balancing humor with vulnerability, while Zach Galifianakis and Emma Roberts add depth to the ensemble cast.

For viewers interested in films akin to “Girl, Interrupted” but with a lighter tone and emphasis on personal growth and resilience, “It’s Kind of a Funny Story” offers a poignant and uplifting exploration of overcoming adversity and finding hope in unexpected places. The film’s blend of humor, heart, and emotional depth makes it a compelling addition to the cinematic discourse on mental health and well-being.

Short Term 12

“Short Term 12” (2013), directed by Destin Daniel Cretton, is a deeply moving and authentic portrayal of life in a residential treatment facility for troubled teenagers. The film follows Grace (Brie Larson), a compassionate supervisor at the facility, as she navigates the challenges of her job while dealing with her own unresolved trauma.

Similar to “Girl, Interrupted,” which explores mental health and the complexities of institutionalization, “Short Term 12” delves into the lives of young individuals grappling with trauma and emotional struggles. The film provides an intimate look at the dynamics within the facility, highlighting the bonds formed among the residents and staff members.

Destin Daniel Cretton’s direction infuses the film with raw emotion and authenticity, capturing the resilience and vulnerability of the characters. Brie Larson delivers a standout performance as Grace, portraying her character’s empathy and inner turmoil with depth and nuance.

“Short Term 12” resonates with viewers seeking films that delve into similar thematic territories as “Girl, Interrupted.” The film offers a poignant exploration of trauma, healing, and human connection. Its honest portrayal of complex emotions and interpersonal relationships makes it a compelling addition to the cinematic landscape addressing mental health and resilience.

The Diary of a Teenage Girl

“The Diary of a Teenage Girl” (2015), directed by Marielle Heller, is a coming-of-age drama set in 1970s San Francisco. The film follows Minnie Goetze (Bel Powley), a 15-year-old aspiring cartoonist who embarks on a romantic relationship with her mother’s boyfriend, Monroe (Alexander Skarsgård).

Similar to “Girl, Interrupted,” which explores the complexities of female identity and personal discovery, “The Diary of a Teenage Girl” delves into the exploration of adolescent sexuality and familial dynamics. Minnie’s journey is depicted with raw honesty and introspection as she grapples with her desires, self-image, and evolving sense of autonomy.

Marielle Heller’s direction infuses the film with a vibrant and authentic 1970s aesthetic, capturing the atmosphere of the era while delving into timeless themes of adolescence and self-discovery. Bel Powley delivers a standout performance as Minnie, navigating her character’s emotional turmoil and growth with nuance and depth.

“The Diary of a Teenage Girl” offers a candid and thought-provoking narrative for viewers interested in films that explore themes of youth, identity, and the complexities of relationships. Through Minnie’s perspective, the film invites reflection on the nuances of female experiences and the challenges of navigating self-discovery during adolescence.


“Thelma” (2017), directed by Joachim Trier, is a Norwegian supernatural thriller that explores themes of personal empowerment and identity. The film centers around Thelma (Eili Harboe), a young woman who discovers that she possesses mysterious and dangerous powers as she navigates her college life away from her strict religious upbringing.

Similar to “Girl, Interrupted” in its exploration of personal empowerment and self-discovery, “Thelma” delves into the psychological complexities of its protagonist’s journey. Thelma’s supernatural abilities become a metaphor for her internal struggles, reflecting themes of repression, desire, and awakening.

Joachim Trier’s direction imbues “Thelma” with atmospheric tension and visual elegance, creating an immersive experience that blends psychological drama with elements of supernatural intrigue. Eili Harboe delivers a compelling performance as Thelma, portraying her character’s emotional turmoil and growth with subtlety and depth.

“Thelma” offers a captivating narrative for viewers interested in films that explore themes of personal transformation and liberation. Through Thelma’s evolving understanding of herself and her abilities, the film invites reflection on the complexities of identity and the pursuit of personal agency.

The Miseducation of Cameron Post

“The Miseducation of Cameron Post” (2018), directed by Desiree Akhavan, is a coming-of-age drama that delves into LGBTQ+ themes and the struggles of self-acceptance. The film is based on the novel of the same name by Emily M. Danforth and stars Chloë Grace Moretz as Cameron Post, a teenage girl sent to a conversion therapy center after being caught in a compromising situation with another girl.

In parallel with “Girl, Interrupted,” which explores societal expectations and challenges faced by women, “The Miseducation of Cameron Post” tackles similar themes within the context of sexual orientation and identity. The film navigates the emotional journey of Cameron as she grapples with her sexuality while being subjected to misguided attempts to change her.

Desiree Akhavan’s direction infuses the film with sensitivity and authenticity, capturing the emotional complexities of Cameron’s experiences and the dynamics within the conversion therapy facility. Chloë Grace Moretz delivers a compelling performance, embodying Cameron’s resilience and inner conflict amidst the oppressive environment.

“The Miseducation of Cameron Post” presents a poignant narrative for audiences interested in films that explore LGBTQ+ themes and the challenges of embracing one’s true self. Through Cameron’s narrative arc, the film invites reflection on the importance of acceptance and personal authenticity in the face of societal pressure and prejudice.

A common thread emerges through a comprehensive analysis of these films—a profound exploration of identity, resilience, and the complexities of the human psyche, particularly within the context of female experiences. For viewers seeking cinematic narratives that delve into similar thematic territories, these films offer a captivating journey through the emotional landscapes of youth, rebellion, and self-discovery. “Girl, Interrupted” remains a cornerstone in this cinematic exploration, leaving an enduring impact on the portrayal of mental health and female empowerment in modern cinema.